Carlsen Cello Foundation

Seattle, Washington

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Miriam Shames, Director

Miriam Shames earned a BA in Literature from Yale University and a Masters degree in Cello Performance from Juilliard. After Juilliard, she spent 12 years in arts administration, as a classical music publicist for Shuman Associates and Young Concert Artists, and then for five years as Executive Director of the Piatigorsky Foundation, a non-profit organization that makes live classical performances part of everyday life for underserved communities. She moved to Seattle in 2000 with plans to return to the cello full-time, with the German instrument she had played since age 11.  As it became clear that she needed a better instrument, a good friend introduced her to Ray Carlsen, and she soon had a cello on loan that sounded beautiful. Over the next few months, Miriam learned more about Dr. Carlsen’s Foundation and offered to help, using the experience she had gained back in Manhattan.  Since 2013, Miriam has been director of the Foundation, working with Dr. Carlsen to expand the number of cellos available and to make the organization self-sustaining for many decades to come.

Miriam continues her teaching and performing in the Seattle area. She works with students of all ages and levels in her Seattle studio on Queen Anne, and as a chamber music coach for the Puget Sound Chamber Music Workshop and Chamber Music Madness. As a freelance performer, she served as Principal cellist of Philharmonia Northwest in 2011-12, Assistant Principal of the Tacoma Symphony for three years, has played with Pacific Northwest Ballet, the Northwest Sinfonietta, Seattle Choral Company, in various ensembles at St. James Cathedral in Seattle, and as soloist with the Cascadian Chorale. Solo appearances in 2012-13 include Kol Nidrei with Philharmonia Northwest, and two solo recitals at the UW Law School as part of their Diversity Week. One of her favorite projects is playing as a member of the Scottish acoustic ensemble, Iona Abbey, with bagpiper-extraordinaire Tyrone Heade.

Miriam lives on top of Queen Anne with her husband, photographer Michael Cole and their cat, Jemma. On their honeymoon in the summer of 2012, they traveled 4,500 miles across the United States on Michael’s BMW motorcycle following the historic Lincoln Highway.

She plays a French cello, c. 1865.

"This cello has opened up so many new technical possibilities which have lead to new musical possibilities, and then to new career possibilities. I cannot thank you enough! The price of an instrument that is musically sufficient, let alone playable, is such a hurdle. It has been discouraging to see so many fellow musicians get to a point where they give up on this craft, or feel that they have no other choice. Because of the generosity of groups like CCF, people like me feel like they can really keep going... like they really do have a place in the musical world."

- Paul Virgilio

Photo by Michael Cole
Miriam Shames, Director


Scott Carlsen


Jim Scurlock


Haeyoon Shin and Ray Carlsen

"I was 14 years old when I got the cello from Dr. Carlsen. It had been two years since I started cello and I had just changed teachers. I was in ninth grade and was working with a $1,200 Korean cello bought from Hammond Ashley. After I got the cello from Dr. Carlsen I started working harder with more responsibility and with more joy because of the better sounds that I was getting from the cello. Since then I have gotten another cello from Dr. Carlsen, a better one which I am working with now. It has helped me to compete in higher levels and to reach the level that I am at now, in the graduate program at Indiana University. The biggest change since I got the cello is my attitude towards the instrument, working harder and getting more satisfaction since the instrument responds much better to my efforts."

- Haeyoon Shin


Naomi Tran plays in Seattle Youth Symphony

"Outstanding young performers would greatly benefit from such an opportunity. They would progress much faster on a better instrument."

- David Tonkonogui, cellist and teacher, Seattle Symphony


Phuc Phan

"Thank you so much for letting me borrow the cello. I hope that generations of young aspiring cellists get to enjoy it as I did. I thank you, Dr. Carlsen, for letting so many of these young cellists progress in their studies without limitation from monetary barriers."

- D. G. Kim

Sterling Elliott, 2nd Place Winner, 16th Annual National Sphinx Competition (2/13)

"Sterling is enjoying the new cello and sounding better than ever! With the help of the Carlsen Cello Foundation, Sterling Elliott won 2nd Place at the 16th Annual Sphinx Competition today! Thank you for the cello Carlsen Foundation."
(February 15, 2013; Detroit, MI)

- Dannielle Weems-Elliott,
mother of Sterling


Janaesha Iwaasa selecting a CCF cello

"I cannot tell you how much your cello has changed my life. There is nothing quite like having a real instrument--it has opened up new worlds of technique I never dreamed possible. Without the foundation cello, I would likely not have had the technique to be accepted (and given scholarships!) into these incredible music schools. Thank you so much for everything you have given me!"

- Janaesha Iwaasa, attending Rice University as of Fall 2013


Tanner Rodriguez and Ray Carlsen

Recent Posts

  • Lynn Harrell, January 30, 1944 – April 27, 2020
  • GiveBIG 2020 – help us say “Cello to the Future!”

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Latest Posts

  • Lynn Harrell, January 30, 1944 – April 27, 2020
  • GiveBIG 2020 – help us say “Cello to the Future!”

Carlsen Cello Foundation

2212 Queen Anne Avenue #301
Seattle, WA 98109
Telephone: (206) 579-6233

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